| 2005 | Enveloppe Soleau | | Nouveau modèle de représentation des douze notes, ses propriétés et ses applications dans le cadre duvres ouvertes et parcours de modulations | INPI France |
| 2005 | Litter@Incognita | | De Newton à Riemann, Graphes et Graphisme : Interactions Mathématico-Musico-Plastiques. | Littera Incognita |
| 2010 | 8FCC Proceedings Discrete Math | L.Ferré | Representation of musical pitch space using graphs, spectrum and hyperspaces. | Article Not Published in final selection. |
| 2011 | MCM 2011 | | The Planet-4D Model: an Original Hypersymmetric Music Space based on Graph Theory | |
| 2011 | MCM 2011 Proceedings | | The Planet-4D Model: an Original Hypersymmetric Music Space based on Graph Theory | ISBN 978-3-642-21590-2 |
| 2011 | PhD | | Applications de la théorie des graphes à des objets musicaux. ?Modélisations, visualisations en hyperspace | http://www.theses.fr/s25263 |
| 2012 | 3Icar | S. de Gérando | Sons et représentation visuelle en hyperespace : l ' hypersphère des spectres | ISBN 2916519025 |
| 2013 | MCM 2013 Proceedings | E.Amiot / L.Bigo | Scientific Poster : Planet-4D Extensions: Hyperspheres for Musical Applications | ISBN 978-3-642-39357-0 |
| 2014 | SFAM 2014 | H.Seress | Scientific Poster : Visualizing Tonal Regions | Program |
| 2015 | MCM 2015 Proceedings | H.Seress | The Spinnen-Tonnetz: new Musical Dimensions in the 2D Network for Tonal Music Analysis. | ISBN 978-3-319-20603-5 |
| 2015 | Music Theory Online | E.Amiot | New symmetries between pc-sets in the Planet 4D Model or are they? | MTO On line |
| 2015 | Musimédiane | H.Seress | Musiques « populaires » daujourdhui et musiques « savantes » du passé : styles divergents, fonctionnements communs Lexemple de William Sheller et de The Muse | Musimédiane |
| 2016 | Chapter in book Aesthetics and Science | M.Andreatta | An introduction on formal and computational models in popular music analysis and generation | Springer |
| 2019 | MCM 2019 Proceedings | A.Calvet | Visualizing Temperaments: Squaring the Circle? | Springer |
| 2019 | Music and Spatiality Proceedings | | Hypersphere and Musical Structures, Poster + Key Session | Program Paper |
| 2020 | JIM 2020 | A.Calvet | Outils dinformatique Musicale appliqués en Tempéramentologie | Conference Paper |
| 2021 | Euromac 2020 | I.Khannanov | The Shadow-Tonnetz: Visualizing Speed and Weight within Harmonic Progressions | Paper publication delayed due to Russia Situation ? |
| 2021 | ERK 2021 Ljubljana | A.Calvet | From Tone Frequencies to Temperaments Visualizations | Conference Paper |
| 2021 | Euromac 2020 | I.Khannanov | The Shadow-Tonnetz: Visualizing Speed and Weight within Harmonic Progressions | Paper publication delayed due to Russia Situation ? |
| 2022 | MCM 2022 Proceedings | S.De Gérando | When Virtual Reality helps fathom Mathemusical Hyperdimensional Models | Springer |
| 2023 | WLL 2023 Proceedings | | MatheMusical Virtual Museum, Virtual Reality application to explore Math-Music World | Springer |
| 2024 | MCM 2024 | R.Cohn | Advanced Visualization Techniques for Music Theory | In process |
| 2025 | MIT PRESS | R.Cohn | Mathematical Models of Musical Pitch and Time | |
